Jan Cornelisz Vermeyen

(c.1500-1559) was a Dutch Northern Renaissance painter. According to Karel van Mander he was born in Beverwijk in 1500 and was honored for his career in the service of Charles V. He was a friend of Jan van Scorel and his portrait was engraved by Jan Wierix for Dominicus Lampsonius. Vermeyen was a painter and tapestry designer, probably a pupil of Jan Mabuse. About 1525 he became Court Painter to Margaret of Austria, regent of the Netherlands at Mechelen and in 1535 he accompanied the Emperor Charles V, at the Conquest of Tunis (1535). This journey supplied him with scenes for later works, including tapestries designed 1545/48 for the Regent, Mary of Hungary. He died in Brussels. Many portraits are ascribed to him on very little evidence, according to modern scholars.
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Jan Cornelisz Vermeyen Portrait of Charles V (1500-58), emperor of the Holy Roman Empire oil painting


Portrait of Charles V (1500-58), emperor of the Holy Roman Empire
Gemälde ID::  93235
Siehe Galerie in Schweden
Portrait of Charles V (1500-58), emperor of the Holy Roman Empire
circa 1530(1530) Medium oil on oak panel Dimensions 16.4 x 14 cm (6.5 x 5.5 in) cjr
circa_1530(1530) _ Medium_oil_on_oak_panel _ Dimensions_16.4_x_14_cm_(6.5_x_5.5_in) _ cjr
   
   
     

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Vorheriger Künstler       Nächster Künstler     

     Jan Cornelisz Vermeyen
     (c.1500-1559) was a Dutch Northern Renaissance painter. According to Karel van Mander he was born in Beverwijk in 1500 and was honored for his career in the service of Charles V. He was a friend of Jan van Scorel and his portrait was engraved by Jan Wierix for Dominicus Lampsonius. Vermeyen was a painter and tapestry designer, probably a pupil of Jan Mabuse. About 1525 he became Court Painter to Margaret of Austria, regent of the Netherlands at Mechelen and in 1535 he accompanied the Emperor Charles V, at the Conquest of Tunis (1535). This journey supplied him with scenes for later works, including tapestries designed 1545/48 for the Regent, Mary of Hungary. He died in Brussels. Many portraits are ascribed to him on very little evidence, according to modern scholars.

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